When we look at the list of the most watched films in the history of post-revolutionary cinema, we see that most of them fall under the category of games. Films that usually have simple themes without many twists and turns tell their stories in a simple and straightforward manner with humor interspersed with their writing. After writing and planning, let's come to the planning of actors who play an important role in the success of these projects. Sometimes it happens that the audience did not find a composition that seemed to be successful, and sometimes the opposite happened, which is partly due to the lack of attention to some details and the other part is due to the unpredictability of the Iranian public. The interest of our countrymen in comic https://tmk.ir/ has inspired many producers in this direction and put a significant part of Iranian film production every year in it.

Since 2014, when the Internet of our country found a good and strong infrastructure and the number of its entries increased in the country, the first national platform started its work and, based on the process of trial and error, it evaluated problems and solve existing ones. Another challenge for the platform to attract the audience is to include cinema programs on the Internet, because on the one hand they allocate part of their net volume for downloading or watching their favorite services on Internet, on the other hand, they have to pay. monthly subscription, even if it is small. A question that is not digestible for a section of society and that puts pressure on their weak economic base. For this reason and to attract the positive opinion of many viewers, who are usually big fans of comedy movies, the home network shows the color of the movie and supports a large part which the system produces. Because they have a guaranteed audience and reduce the investment risk. Good, Bad, Kitty: Radioactive directed by Mohsen Chegini, Iran3 directed by Bahman Guderzi, Blue Nissan directed by Manouchehr Hadi, Antenna directed by Seyed Ibrahim Amrian, Magician directed by Masoud Atyabi, Once Upon a Mars and -directed by Peyman Qasemkhani and Mohsen Chegini. , Monster and Dracula Two projects by Mehran Madiori, Far from home by Majid Salehi, Aftabparast directed by Barzo Niknejad and Siah Chale by Hossein Namazi are some of these projects that include different genres difference of film. From the colloquial and post-research comedies of Mehran Madiri and Peyman Ghasemkhani to the conversational comedies in Nissan Blue and Made in Iran 3 fits completely into its center. After the script, where there is a lot of funny exaggeration, we come to the cast, in which stereotypes take center stage and famous actors are often in the role over and over again . A type of reform aimed at restoring capital and preventing corruption in the selection of actors. Peyman Ghasemkhani, as the good, bad, Jal, an F-style writer, followed the same cinematic process and set the stage for his film based on the two main characters played by Pejman Jamshidi and Sam Derakhshani. This is also the reason for the success of this series because.

Source: https://blogs.brighton.ac.uk/educationalcontent/making-the-audience-laugh-a-mission-for-platforms/